Research and creation support programme

The research and creation support programme aims to develop diverse approaches to photography.
The theme for the 2018/2019 edition was “Photography, object of dissemination”.
This first edition enabled us to discover 180 projects from all over the world, including many fascinating projects with high standards, that met the criteria of the call for applications. However, after long and vibrant discussions, the jury selected four projects that the Institute will support over the year.

THE WINNERS

AURELIEN FROMENT
Cinema in the spirit of Pierre Zucca
Exploring the photographic work of Pierre Zucca (photographer on the sets of films by Jacques Rivette, Claude Chabrol, François Truffaut, Alfred Hitchcock, etc.) through its invisible or unmatched contours, the research will take different forms, from photography to cinema and performance.—Aurélien Froment is a graduate of the Regional School of Fine Arts in Nantes, a cameraman and film projectionist. His work is heavily influenced by cinema and features in exhibitions both in France and abroad.
He lives in Edinburgh where he teaches photography at the University of Edinburgh and the Edinburgh College of Art.
© Dominic Turner


AUDREY LEBLANC
Disseminating its own maps of the world and society

Agency photo collections having been used to develop editorial content in the televised news programmes of the former French broadcaster ORTF (1960-1986)
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Audrey Leblanc is a doctor of the EHESS in history and civilisations. She was joint curator of the exhibition Icons of May 68: Pictures have a History in 2018 at the French national library (BnF). She teaches at the University of Lille and jointly leads the research seminar entitled ‘Photography, publishing, press: cultural history of image producers’ at Cehta/EHESS.


CHRISTEL PEDERSEN
Greetings from Reykjavik – Disseminated archives

Curatorial research project looking at letter writing in the experimental arts scene of Reykjavik in the 1960s and 1970s, which helped extend the reach of the local artistic community through the dissemination of visual documents – particularly photography – to a much greater network abroad. A practice which, today, could be likened to the dissemination of works of art via social networks.

Christel Pedersen has a research degree in the history of art from the University of Copenhagen and Paris 8 University. She currently lives in Paris, where she is an independent researcher, author and translator of artists’ poetry, theories and writings in English, French and Nordic languages.


RAQUEL SCHEFER avec CATARINA BOIEIRO
Photography books and liberation movements in Africa


Somewhere between militant documents and aesthetic objects, the photography books produced around the 1970s in Portuguese-speaking African countries on – and for – independence movements offer a unique reflection on the role and power of the photograph. This project aims to retrace the journey of this corpus, through an exhibition, encounters and films.
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Raquel Schefer is a researcher, film-maker and programmer. Doctor of the Sorbonne Nouvelle – Paris 3 University in Film and Audiovisual Studies.
She has published a large number of works and articles, and teaches at Paris, Rennes, Buenos Aires and Mexico City.
Catarina Boieiro has a Research Diploma in Arts and Languages from the EHESS.
She is an independent curator whilst at the same time working in communication, programming and production for art centres and cultural events specialised in image and contemporary visual arts.